Meyerowitz, began his photographic career in 1962 inspired by the work of Robert Frank. A street photographer, however, unlike Frank, Walker Evans and HCB he favoured colour prints. That’s not to say he did not produce black and white photographs.
I found a video on his website where he discusses his Leica and why he favoured this camera. Interesting that his early work was an 8×10 as he talks about how the viewfinder is offset as opposed to a DSLR, which means you still have one eye in the frame yet can still see the opportunities with the other that would otherwise be missed.
HCB also talks about framing, composition and geometry but I cannot agree with Meyerowitz entirely in his statement that you are somehow missing part of the story with a DLSR because the other eye is covered by the body.
If I rotate the body to portrait rather than landscape orientation I still have 50% of my view left. While it’s not ideal and restricts my use of a DSLR this tactic could be used in Street Photography.
Provincetown, USA, struck me as a colour version of Evans work but would not have had the same impact if it were not in colour. The vivid hues of the sunset and the clouds lit up by the sunset and the half-light left on the front of the building still able to illuminate the signage. Time here is captured so well with the visual clues and the change in light as the bright fluorescent tubes light up yet we can read clearly the words DAIRY LAND and FOOD in black lettering against the weather boards. That fleeting moment captured.
Joel Meyerowitz | Contemporary Color Photography | Author of Cape Light (no date) Joel Meyerowitz Photography. Available at: http://www.joelmeyerowitz.com/ (Accessed: 4 July 2017).